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What a Beautiful Day

Sep 29, 2022 This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.

Jul 25, 2022 TIFF 2022 lines up eight titles, including Steven Spielberg’s The Fabelmans.

Apr 19, 2022 Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Mar 30, 2022 Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Mar 11, 2022 Deep Dives There’s an entire realm of children’s entertainment that survives mostly on the margins of collective consciousness. The average person is unlikely to know Michael Sporn’s name, but if they are of a certain age, they almost certainly have...

Dec 1, 2021 Celebrate the holidays with our 21-film Alfred Hitchcock retrospective and a series dedicated to collaborations between female directors and cinematographers.

Sep 29, 2021 Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.

Sep 3, 2021 In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Jan 19, 2021 In the summer of 1976, my parents took me to see the tall ships in New York Harbor. I was ten, and I remember very little about it other than that I went and that the ships, tall, did not...

Jun 16, 2020 Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

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