Tree

Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.

Aug 8, 2021 — This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.

Jun 29, 2021 — In Dee Rees’s ambitious and lyrical debut, the inner life of a queer Black teenager and poet is summoned in all its nuances and contradictions.

Jun 17, 2021 — The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...

May 14, 2021 — Look who’s back: Alain Delon and Romy Schneider, Charlie Chaplin, Dee Rees, and . . . Cop Rock?

Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Mar 16, 2021 — In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...

Feb 26, 2021 — Besides Abbas Kiarostami, Rebecca Hall, and Djibril Diop Mambéty, we’re also reading about TikTok and the greatest movie endings ever.

Feb 16, 2021 — “Me myself, I prefer literature,” the Senegalese author-filmmaker Ousmane Sembène tells a group of African students in the 1994 documentary Sembène: The Making of African Cinema. “But in our time, literature is a luxury.” Sembène’s historical conjuncture—Africa’s putative transition from...