To Beep Or Not To Beep

Nov 23, 2021 — First and foremost, Menace II Society is a movie for white people.These aren’t my words. These are the words of Albert Hughes, who codirected the movie with his twin brother, Allen. In several interviews, Albert has mentioned how he and...

Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Nov 12, 2021 — First Person At the end of February of 2020, I watched The Gleaners and I with my boyfriend at BAM. It was, I thought, an ordinary day. We bought tickets in advance because we knew the small theater’s screenings always...

Nov 5, 2021 — A teenage girl looks on with both envy and disapproval as her mother shimmies on the dance floor in the arms of a lover. “Beautiful,” observes a friend. “I know,” says the daughter, bitterly, before falling asleep in her nanny’s...

Oct 20, 2021 — This uncanny tale of existential anxiety stands out as the most rigorously pared-down American science-fiction film of the 1950s.

Oct 18, 2021 — Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”

Oct 15, 2021 — There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved...

Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Jul 26, 2021 — The main competition boasts new work from Jane Campion, Pedro Almodóvar, Ana Lily Amirpour, and Pablo Larraín.