Oct 21, 2014 There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...

Oct 2, 2014 The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Sep 24, 2014 Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.

Sep 23, 2014 In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.

Aug 26, 2014 Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

May 27, 2014 Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.

May 13, 2014 Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...

May 5, 2014 Billy Wilder’s Ace in the Hole almost requires an honorary expansion of the term film noir. There are no private eyes in seedy offices or femmes fatales lurking in the shadows of neon-lit doorways, no forces of evil arrayed against...

Mar 17, 2014 Errol Morris’s documentary investigation into the life and theories of Stephen Hawking sets one man against the universe.

Feb 6, 2014 Who better to explain what an auteur of the cinema is than one of the originators of auteur theory? In his famous 1954 essay “A Certain Tendency in French Cinema,” published in Cahiers du cinéma five years before the release...

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