The Criterion Collection
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
Oct 25, 2022 — One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
The Daily
Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
Aug 31, 2022 — The veteran designer talks about her wide-ranging, three-decade career, which has included collaborations with rock icons like Nirvana and filmmakers like Sofia Coppola and David Lynch.
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.
The Daily
Jun 23, 2022 — The showcase of independent films from around the world returns as an in-person event for the first time since 2019.
On the Channel
May 26, 2022 — Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.