The Criterion Collection
The Daily
Nov 9, 2017 — “DOC NYC started in 2010 and is now, at 250 movies and dozens of filmmaker workshops (best in class: ‘Show Me the Money Day’) spread over eight days [November 9 through 16], the biggest and probably best one-stop venue for...
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.
Aug 9, 2016 — The acclaimed writer-director discusses his early days growing up in New York, his transition from acting to screenwriting, and his unique creative process.
Essays
Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.
May 27, 2015 — Costa-Gavras’s political drama sheds disturbing light on the violent methods used by governments to maintain order.
Jun 27, 2014 — The American war in Vietnam was officially divided into two halves: the military war and “the other war: the war to win the hearts and minds of the people,” which gives Peter Davis’s 1974 documentary its title. Whereas the aim...
Short Takes
Nov 15, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...
Essays
Oct 25, 2009 — Costa-Gavras’s 1969 political assassination thriller Z appeared at the end of a decade of burgeoning cultural change and rampant paranoia. In the United States, this Algerian-French coproduction sparked a sensation, not just relaying the European political crisis but perfectly capturing...
Feb 9, 2009 — Luis Buñuel’s ferociously brilliant The Exterminating Angel (1962) is one of his most provocative and unforgettable works. In it, we watch a trivial breach of etiquette transform into the destruction of civilization. Not only does this story undermine our confidence...
Apr 16, 2007 — Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.