The Criterion Collection
Features
Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...
Production Notes
Jul 18, 2012 — John Lurie reminisces about making Down by Law and Fishing with John.
Essays
Apr 14, 2008 — Allen Baron’s stark, moody Blast of Silence (1961) is a movie of many strange distinctions. It’s among the last of the true film noirs, those fatalistic black-and-white urban crime dramas that darkened the American screen so gloriously in the years...
Essays
May 31, 1999 — In Abbas Kiarostami’s universe, it might be said, there are no things, only relations between things. Likewise, in his cinema: no films, only relations between films—and within them. And between them and us.Three and one. The most celebrated of Iran’s...
The Daily
Jan 21, 2026 — New films by Angela Schanelec, Lance Hammer, and Mahamat-Saleh Haroun will premiere in the competition.
The Daily
Apr 15, 2026 — The festival presents winners of top prizes in Rotterdam and Locarno as well as highlights from Cannes and Berlin.
The Daily
Oct 9, 2025 — The renowned critic and scholar programs a series for Japan Society in New York.
The Daily
Apr 19, 2024 — Revivals of work by Frank Borzage, Ken Loach, and David Fincher are among this week’s highlights.
Features
Aug 20, 2021 — The author of Velvet Was the Night pays tribute to the shockingly stripped-down, dread-inducing use of silence in Jean-Pierre Melville’s masterful neonoir.
Interviews
Aug 19, 2020 — An atmospheric tale of seduction and dread in Venice, The Comfort of Strangers (1990) came to Paul Schrader as a project in need of a director, with a completed screenplay by Harold Pinter, faithfully adapted from Ian McEwan’s acclaimed novel....