The Secret Woman

Jun 21, 2010 — A new man is being born, fraught with all the fears and terrors and stammerings that are associated with a period of gestation. —Michelangelo Antonioni Red Desert came out in 1964, almost twenty years after the end of the war,...

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Jan 24, 2018 — One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.

Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.

Dec 4, 2019 — Songbook Midway through Andrea Arnold’s Fish Tank (2009), the plot pivots on a song. “You’ve got some weird shit in here,” says Joanne (Kierston Wareing,), riffling through the CDs in her new boyfriend’s car. It’s the morning after a boozy...

Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.

Aug 18, 2017 — “The last time I saw Poison [1991] it shocked me,” Todd Haynes tells Rory O’Connor at the Film Stage, “and it demonstrated to me a different side of myself, of my history, of our history as a culture, as a...

Jul 25, 2017 — Venice Days, “modeled on the prestigious Directors’ Fortnight of the Cannes Festival and promoted by the associations of Italian film directors and authors (Anac and 100autori),” has announced the lineup for its fourteenth edition, running from August 30 through September...

Jun 6, 2017 — Once again, we open an entry with a tip from Catherine Grant, the new twelfth issue of Cine-Files, a special commemorative issue “dedicated to the films and artistic legacy of Jacques Rivette and Chris Marker.” Editor Mary Wiles: “Both directors,...

Jul 14, 2012 — Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as  Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...