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The Notebook

Feb 21, 2020 — Few big-screen depictions of World War II have brought its atrocities to life with the brutality and cinematic ingenuity of Come and See, the legendary final film by Soviet director Elem Klimov. A restoration of this masterpiece opens today at...

Feb 3, 2020 — Young filmmakers from Asia have won over audiences and juries alike at this year’s festival.

Jan 30, 2020 — Elisabeth Moss plays Shirley Jackson, but Decker’s fourth feature is anything but a conventional biopic.

Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.

Nov 8, 2019 — A digital resurrection, an image book, and a painting of a hammer all figure in this week’s round.

Ozu in NYC and LA

The Daily

Nov 8, 2019 — Woman of Tokyo (1933) screens tonight in Los Angeles, and Tokyo Twilight (1957) will play for a week in New York.

Nov 1, 2019 — Jonathan Glazer and Michael Mann return, Parasite fever burns on, and Paul Harrill rolls out his acclaimed second feature.

Harsh Visions

The Daily

Oct 18, 2019 — Maurice Pialat, Jean-Michel Basquiat, Béla Tarr, Robert Eggers, and Disney’s most notorious feature make for a rough and tumble week.

October Books

The Daily

Oct 16, 2019 — This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.

Sep 5, 2019 — Critics split three ways: Joker is just plain great, or great but dangerous, or dangerous and also really quite bad.

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