The Flu

Sep 11, 2020 — On our minds this week: New Taiwan Cinema of the 1980s, Black cinema’s “paradoxical role in American cultural history,” the new Brooklyn Rail, and more.

Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.

Jul 19, 2016 — Time is both inescapable and irretrievable in Alain Resnais’s boldly disorienting masterpiece, which stars Delphine Seyrig as a widow haunted by her memories of World War II.

Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.

Jan 5, 2006 — Akira Kurosawa appreciated Shake­speare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.

Jan 27, 2026 — Unencumbered by the white gaze, Reginald Hudlin’s groundbreaking feature-film debut is a celebration of a Black community in all its diversity, featuring fully realized characters who exist not as spectacle but as reality.

Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

Jul 1, 2021 — Wong Kar Wai, Tilda Swinton, Federico Fellini, Claudia Weill, and Steven Soderbergh feature in this week’s round.

Jun 25, 2021 — This week’s highlights include a new issue of Cinema Year Zero, a dossier from Sky Hopinka, and an excellent new name for a subgenre.

Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.