The Criterion Collection
The Daily
Aug 7, 2017 — The big news to catch up with here is the launch of Film Critic: Adrian Martin, “almost 20 years, on and off, in the making.” Adrian Martin has been writing essential film criticism for four decades now, and what’s collected...
The Daily
Apr 10, 2024 — Oksana Karpovych’s second feature juxtaposes images of a ravaged Ukraine with the voices of Russian soldiers.
Jan 13, 2020 — A key figure of the Czechoslovak New Wave, Passer went on to direct a classic American neonoir.
Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.
The Daily
Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...
Dec 4, 2008 — With Ron Howard’s big-screen adaptation of Peter Morgan’s play Frost/Nixon opening today, the editors at New York magazine remind us that Frank Langella is hardly the first actor to get all jowly for the camera. They’ve put together a list...
The Daily
May 2, 2024 — The series spotlights rarely seen films by Shirley Clarke, Marie Menken, Bette Gordon, Jack Smith, and dozens more.
The Daily
Dec 19, 2019 — Lists (of course), but also philosophical surveys, biographies, and coffee table books are featured in this month’s round.
The Daily
Oct 17, 2017 — One of the very best podcasts out there, You Must Remember This, is back with a new season, “Bela and Boris.” Karina Longworth introduces the first episode, “Where the Monsters Came From” (41’40”): “Bela Lugosi and Boris Karloff were two...
Essays
Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.