The Criterion Collection
Essays
Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”
Apr 13, 2021 — To fall deeply in love means to take a risk, and no romantic movie is riskier than History Is Made at Night (1937). Producer Walter Wanger came up with the very grand and suggestive title, but he had only two...
Essays
May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...
Essays
Aug 16, 2011 — “It is my best film. I always loved it. I always believed in it. It is real cinema, done for cinema—like art for art.” That was Roman Polanski’s view of Cul-de-sac in 1970, four years after its release and just...
The Daily
Nov 16, 2022 — Fifty new and recent restorations will screen at the Museum’s first-ever festival of preservation.
The Daily
Dec 8, 2020 — Frederick Wiseman’s documentary ranks high in the latest round of lists of the best films and television of 2020.
The Daily
Jan 25, 2024 — Best known for In the Heat of the Night and Moonstruck, Jewison also directed spectacular musicals, heist thrillers, and courtroom dramas.
The Daily
Jan 20, 2020 — Traveling exhibitions, retrospectives, and rereleases mark the centenary throughout the U.S. and Europe.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Mar 17, 2008 — In its portrayal of the long international arm of crime families, Alberto Lattuada’s ingenious comedy offers a prescient look at globalization.