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Songs XIX & XX

Oct 2, 2017 New York. “There could be no better film to open the Flaherty NYC Presents: Out from Under series playing at Anthology Film Archives tonight than A Litany for Survival [1996], the lovely and inspiring portrait on one of the twentieth century’s ultimate warriors: Audre Lorde.” Sonya Redi at...

Sep 11, 2017 “On paper, what could be more sordid than an interview-portrait with Issei Sagawa, the infamous cannibal who became a tabloid sensation in the early 80s after he murdered and ate part of a Dutch woman in Paris?” asks Dan Sullivan...

Sep 11, 2017 In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Sep 6, 2017 “Murray Lerner, a seminal music documentary filmmaker of the 60s and 70s, has died at age 90 in New York City,” reports Paula Parisi for Variety. “Lerner won an Oscar for best documentary in 1981 for From Mozart to Mao:...

Sep 5, 2017 Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...

Aug 30, 2017 Paul Schrader’s First Reformed premieres in Competition in Venice before screening in the Masters program in Toronto, and the New Yorker’s Richard Brody finds it to be “a fierce film; Schrader, one of the crucial creators of the modern cinema...

Aug 26, 2017 Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...

Aug 25, 2017 In his 1986 film Sid & Nancy, director Alex Cox reimagined one of the Sex Pistols’ most notorious promotional stunts.

Aug 16, 2017 French New Wave icon Jeanne Moreau possessed a stillness, a way of surrendering to the camera, that made her utterly unique among modern actors.

Aug 11, 2017 With his controversial new film Nocturama opening in theaters, French director Bertrand Bonello spoke with us about what inspires him as an artist and how he blurs the line between realism and abstraction.

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