Shame

Oct 12, 2017 — Last week, after years of rumors and aborted attempts to bring it to light, Hollywood’s “open secret” finally became a story fit to print. On Thursday, October 5, Jodi Kantor and Megan Twohey reported for the New York Times that...

Oct 5, 2017 — For kicks, I’m opening this one with something I wrote myself back in February, just hours after seeing the film at the Berlinale: “Aki Kaurismäki’s uneven but irresistibly amusing The Other Side of Hope, dedicated to the late film historian...

Sep 17, 2017 — There’s no getting around the loaded real-world context on this one. For the Daily Beast, Richard Porton begins with the “various accusations about [Louis C.K.’s] supposed sexual misconduct, which have been floating around for years since a 2012 Gawker story...

Jul 31, 2017 — Jeanne Moreau, who appeared in over 130 films over a period of sixty-five years and was declared “the greatest actress in the world” by none other than Orson Welles, has passed away in Paris at the age of eighty-nine. She...

Jul 31, 2017 — What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.

Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.

Oct 6, 2016 — As part of a celebration of Kirk Douglas’s centennial, the University of Wisconsin-Madison's Cinematheque is screening Ace in the Hole, Billy Wilder’s biting 1951 exposé of the American media.

Aug 24, 2016 — During a 2006 meeting with the author, French New Wave icon Jeanne Moreau reminisced about working with Orson Welles, Louis Malle, and François Truffaut, and her turn to acting as a means of eluding the “destiny of a regular girl.”

Jul 21, 2016 — Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.

Jun 2, 2016 — Kings of the Road is the most “roadish” of Wenders’s road movies, a film about travel as a form of escape for two German men and the transitory bond they form along the way.