Second Act

Aug 27, 2019 — In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...

Aug 21, 2019 — One Scene One of my absolute favorite quotes from Douglas Sirk—and he has a million of ’em—was made in reference to Magnificent Obsession. “It is a combination of kitsch and craziness and trashiness,” he said (this isn’t the quote quite...

Aug 14, 2019 — A week into this year’s edition, a few critical favorites are emerging from the competition.

Aug 6, 2019 — The groundbreaking filmmaker had a hand in inventing—and then reinventing over and again—the modern documentary.

Jul 17, 2019 — In Spain, as Pedro Almodóvar was getting ready to leave home, no young man argued with his father about politics, no one wanted to discuss or refight the Civil War. Instead, the argument was about the length of your hair,...

Jul 2, 2019 — Father-child relationships come into focus in this week’s Short and Feature pairing on the Criterion Channel, which examines the trauma of coming of age with an emotionally unstable parent. Presented with Víctor Erice’s El Sur, Charles Williams’s All These Creatures follows...

May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.

May 15, 2019 — It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...

May 8, 2019 — New restorations premiering in Cannes and Karlovy Vary and series in New York and London testify to our ongoing fascination.

May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...