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Jun 3, 2016 — This August will bring two new Criterion releases to the United Kingdom: Dont Look Back, D. A. Pennebaker’s intimate 1967 portrait of Bob Dylan, and Arthur Hiller’s 1979 madcap classic The In-Laws. Head over to Amazon to check out our...

May 27, 2016 — The actor sits down to recount his experiences working on Altman’s film about an amoral Hollywood studio executive and discusses the agreement he and Altman made to ensure that the production would be truly independent.

Apr 18, 2016 — We’re thrilled to announce that the Criterion Collection has begun releasing a selection of titles in the United Kingdom. We’re kicking off our UK launch today with six incredible films from the collection, and further releases will follow each month....

Feb 19, 2016 — The filmmaker, who began his career as a stage director and designer before shifting his focus to movies, swung by for a chat about his new film and his lifelong affinity for the macabre.

Dec 28, 2015 — In June, we lost the inimitable American writer James Salter. The author, one of the great novelists of the twentieth century, also had a career as a Hollywood screenwriter—which included penning Michael Ritchie’s 1969 Olympic skiing drama Downhill Racer. Our...

Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”

Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.

Jul 4, 2014 — Did You See This?• The singular beauty of old movie theaters. . . • . . . And a rare peek inside a long-abandoned one • Barack and Michelle’s surprising first-date movie • A Hard Day’s Night: making it sound...

Nov 15, 2013 — Did You See This?• Adèle Exarchopoulos gets intimate on Charlie Rose. • Film Comment turns fifty! • Geoffrey O’Brien on Barbara Stanwyck • Allen Baron recalls his Blast of Silence. • Chantal Akerman on coming to New York • The...

Aug 14, 2012 — The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.