Origin

Nov 4, 2025 — BAM presents new restorations of Paris Awakens (1991) and A New Life (1993).

Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.

Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.

Oct 23, 2025 — For many critics and fans, the only problem with the five-hour series is that it isn’t twice as long.

Oct 21, 2025 — Set in a postcard-perfect American town, David Cronenberg’s provocative take on the old-fashioned crime thriller examines the pleasure we derive from cinematic violence and the construction of patriarchal impunity.

Oct 16, 2025 — Vivacious and winning in comedies, she also brought a fierce power to her dramatic roles.

Oct 10, 2025 — This week: Essays on Daniel Day-Lewis, Sophie Fillières, and Miguel Gomes, a talk with Wes Anderson, and an AI experiment.

Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.

Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.

Sep 19, 2025 — A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.