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Barry Michael Cooper is an award-winning journalist and screenwriter. He wrote the films New Jack City, Sugar Hill, and Above the Rim. Cooper also worked as a writer and supervising producer on Spike Lee’s Netflix series She’s Gotta Have It....

Ryan Gilbey has written for the Guardian since 2002. His book on queer cinema, It Used to Be Witches, will be published in 2025.

Moira Weigel is an assistant professor of comparative literature at Harvard University. She is the author of Labor of Love: The Invention of Dating (2016) and editor, with Ben Tarnoff, of Voices from the Valley: Tech Workers Talk About What...

Robert Greene is a filmmaker and writer. He has directed four features, including Actress (2014) and Fake It So Real (2012). His criticism and essays have appeared in Sight & Sound and Filmmaker Magazine, among other publications.

Adam Nayman is a critic, lecturer, and author based in Toronto. He writes for the Ringer, Reverse Shot, the New Yorker, and Sight and Sound, and teaches cinema studies at the University of Toronto. He has written several books on...

Filmmaker Richard Linklater originally presented this tribute at the 2000 South by Southwest in Austin, TX, as an introduction to a special screening of Two-Lane Blacktop, part of a retrospective of Hellman's work that Linklater helped coordinate. It also appeared...

Peter Occhiogrosso's authorized book, Inside Spinal Tap, was republished by Little, Brown in London after being out of print for many years. It has just been remaindered.

Dennis Perrin is the author of Mr. Mike: The Life and Work of Michael O'Donoghue, The Man Who Made Comedy Dangerous (Avon Books) and American Fan: Sports Mania and the Culture That Feeds It (Spike/HarperCollins).

Jun 30, 2026 — The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Aug 1, 2023 — “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...