I Dood It

Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.

Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.

Oct 4, 2011 — Director Catherine Breillat writes about the primal pleasures of watching Pier Paolo Pasolini’s notorious film.

Aug 18, 2009 — Jacques Tati’s masterpiece converts work into play so pleasurably that it turns the very acts of seeing and hearing into a form of dancing.

Jun 8, 2009 — As I write this, it has been a year and a half since Ingmar Bergman passed away—and I miss him daily. I miss his imagination and the comfort he gave, both personally and through his films. I got to know...

Dec 29, 2008 — It is a good time to belong to the cult of Fuller. Those of us who consider ourselves members never forget our moment of induction. Some enlisted when his films first hit the screen—lucky enough to catch The Steel Helmet...

Sep 3, 2007 — I’m on a flight back from the Telluride Film Festival and two and a half great days in the mountains. Telluride has been an important festival for Criterion and Janus for years. It’s a great opportunity to mingle with filmmakers...

Nov 20, 2006 — It’s been a few weeks since Peter and I started this blog, and we are gratified that the response has been so positive. We debated for a while whether or not I should have hot-linked my email address last week,...

Mar 14, 2005 — A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...

Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.