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Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.

Jan 13, 2025 — Toronto’s retrospective showcases an oeuvre that ranges from Fists in the Pocket (1965) to Kidnapped (2023).

Jan 10, 2025 — This week: Eisenstein’s diaries, Godard’s artworks, Mike Leigh’s characters, and Sidney Poitier’s late work.

Jan 8, 2025 — We’re looking forward to new work from Richard Linklater, Bong Joon Ho, Kelly Reichardt, Christian Petzold, Chloé Zhao, Sebastián Lelio, and many other filmmakers.

Dec 20, 2024 — Along with conversations with Jem Cohen and Johnnie To, the week brings fresh angles on the year that was.

Dec 17, 2024 — A remarkable breakthrough in Hong Kong action cinema, this rip-roaring spectacle represents the peak of Hung’s commitment to ensemble-oriented filmmaking.

Dec 11, 2024 — In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.

Dec 2, 2024 — Metrograph presents new restorations of Lino Brocka’s Bona (1980) and Lupita Aquino-Kashiwahara’s Once a Moth (1976).

Nov 25, 2024 — From Wednesday through Sunday, the Cinematheque française will present Restaurations et raretés, Best of 2024.

Nov 22, 2024 — Powell and Pressburger, Cassavetes and Rowlands, Robert Frank, Catherine Breillat, John Waters, Babette Mangolte, Sergei Loznitsa . . .