Holiday

Dec 17, 2017 — New York. The series All or Nothing: The Fearless Performances of Daniel Day-Lewis is on at the Quad Cinema through December 24 and, in the Village Voice, Bilge Ebiri writes: “He doesn’t just do the work; he shows us the...

Sep 11, 2017 — This first of two, possibly three, parts was slammed hard on Twitter the moment it premiered in competition in Venice, but, surveying the first wave of reviews, we find that it’s not going to be so easily dismissed outright. Let’s...

Dec 22, 2016 — Repertory PicksIf you’re in Vancouver for the holidays, stop by the Cinematheque for the theatrical version of Ingmar Bergman’s Fanny and Alexander, which screens as part of the weeklong series Essential Cinema! Essential Big Screen! Seen through the eyes of...

Dec 8, 2016 — It may be the season of cheerful carols and twinkling lights, but the holidays also bring about a melancholy mood that has inspired some of the world’s greatest filmmakers. This week on the Criterion Channel at FilmStruck, our new series...

Jul 7, 2016 — In honor of the director, we look back at his quintessentially American narratives.

Oct 2, 2015 — We were delighted when Greek director Yorgos Lanthimos and his wife, the actress Ariane Labed, dropped by for lunch in the Criterion kitchen on Monday.

Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.

Jun 25, 2014 — Hearts and Minds is the classic antiwar documentary film of the Vietnam era. It was released in 1974, one year after the United States withdrew its military forces from Vietnam and a year before North Vietnamese and National Liberation Front...

Aug 30, 2011 — A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.