High Life

Apr 29, 2025 — Drawing from a rich tradition of films that depict the lives of sex workers, Sean Baker’s Oscar-winning triumph takes a complex approach to exploring the fundamentally transactional nature of human relationships.

Apr 29, 2025 — In this exuberant and moving portrait of a Brooklyn sex worker, Sean Baker draws on themes he has explored throughout his career, depicting the workaday grind of twenty-first-century American existence with biting humor and clear-eyed humanity.

Apr 29, 2025 — A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.

Apr 22, 2025 — The majestic landscape of Provence takes center stage in Claude Berri’s two-film adaptation of an epic tale by Marcel Pagnol, a cinematic treasure that remains an abiding source of comfort for French viewers.

Apr 18, 2025 — When Mayor John Lindsay made it easier for filmmakers to shoot on location in New York City, he paved the way for a string of movies that captured the troubled metropolis in the late sixties and early seventies.

Apr 14, 2025 — This month’s programming brings seaside thrills and white-knuckle tension, noir classics from a politically repressive era in American history, early gems from Kathryn Bigelow, and guest-curated picks from Spike Lee.

Apr 10, 2025 — The competition alone will launch new films by Wes Anderson, Kelly Reichardt, Richard Linklater, Joachim Trier, and Ari Aster.

Apr 7, 2025 — Children are the focus of several of the films in this year’s showcase of emerging filmmakers.

Mar 25, 2025 — Unfettered by the precepts of bourgeois morality and the nuclear family, the characters in Alan Rudolph’s romantic drama struggle to find happiness as they navigate love’s whims and ambiguities.

Mar 21, 2025 — Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”