The Criterion Collection
The award-winning writer and director of Tótem shares her love for Aki Kaurismäki’s “strange, funny filmmaking spirit,” dedicates her selection of Barbra Streisand’s The Prince of Tides to her mom, and talks about Werner Herzog as a “warrior” in Burden...
The acclaimed actor shares his deep connection to Onibaba, praises Isabelle Huppert and her performance in The Piano Teacher, recalls Gate of Flesh’s influence on the Wooster Group, and selects a few of his collaborations with Wes Anderson and Martin...
The actor, whose work includes Barbie and Bad Things, praises Luis Buñuel’s thorny explorations of desire, shares her Powell and Pressburger favorites, and shouts out the visionary costume and production design of Eiko Ishioka.
The writer and director of All Dirt Roads Taste of Salt selects films that have left an indelible mark on her sensibility, praising the revelatory inspiration of Lynne Ramsay’s short films and the visceral effect of The Piano Teacher, and...
The director of She Came to Me and Personal Velocity talks about the most disturbing films she has ever seen, the sad humor of Miloš Forman, and the poetic-realist masterpiece that might be her favorite movie of all time.
The director of American Psycho and I Shot Andy Warhol shares her love of B movies of the 1940s and ’50s, the metal soundtrack of Lost Highway, and the rapid-fire pacing of ’30s comedy.
The fashion designer recalls a favorite scene from The Asphalt Jungle, talks about her love of films about childhood, and celebrates her friends David Lynch and Agnès Varda.
The singer-songwriter and founding member of the Bangles recommends a must-see film for all rock musicians, highlights a favorite scene in Klute, and recounts her childhood memories of hanging out at Ben Gazzara’s house.
The actor, known for her roles in Transparent and Hustlers, pays tribute to the pioneering subjects of Paris Is Burning, muses about her dream of starring in a future remake of Thelma & Louise, and praises the sexy smoothness of...
The director of Drylongso talks about her fondness for Jean-Pierre Gorin, her love of To Sleep with Anger’s title sequence, and the influence of Sergei Parajanov on her own work.