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Apr 22, 2019 When Criterion art director Eric Skillman reached out to me with the opportunity to work on Diamonds of the Night, he started with the statement “I couldn’t get your new work out of my head as I watched the film.”...

Nov 26, 2018 Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.

Oct 29, 2018 Supporting roles bring potent flavor to classic Hollywood’s darkest genre. In the first installment of a series, Imogen Sara Smith pays tribute to the queen of character actors: Thelma Ritter.

Rotterdam 2018

The Daily

Jan 24, 2018 The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...

Aug 1, 2017 From Pittsburgh, where he’s currently working on Where’d You Go, Bernadette? with Cate Blanchett and Kristen Wiig, Richard Linklater—seen above directing Julie Delpy and Ethan Hawke in Before Sunrise way back in 1995—called into the Television Critics Association on Sunday,...

Jun 20, 2017 With both films now streaming on the Criterion Channel, director Carroll Ballard discusses the parallels between his short documentary Rodeo and Francesco Rosi’s bull-fighting classic The Moment of Truth.

Dec 6, 2012 Today, Brazil is a widely, feverishly loved film, but once upon a time it had its share of detractors—specifically, those who financed it and released it in the U.S. In the documentary The Battle of “Brazil,” critic Jack Mathews charts...

Dec 5, 2012 The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Dec 1, 2009 The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...

Dec 1, 2009 Running a taut ninety-one minutes, this documentary about the Rolling Stones is a masterpiece of restraint and understatement.

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