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May 16, 2024 — Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

May 15, 2024 — The festival opens with a showcase for French acting royalty.

May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

Apr 30, 2024 — John Carpenter is an award-winning writer, director, and composer. Born in Kentucky, he studied film at the University of Southern California before making Dark Star and Assault on Precinct 13. An internationally renowned master of the horror genre, Carpenter spawned...

Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.

Apr 1, 2024 — The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.

Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Mar 19, 2024 — One of the first postrevolutionary Iranian films screened and celebrated internationally, Amir Naderi’s autobiographical masterpiece is a lyrical exploration of childhood that showcases the director’s gift for radical simplicity.

Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Feb 27, 2024 — Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.