The Criterion Collection
Oct 23, 2006 — The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.
The Daily
Jun 27, 2023 — Along with revivals and fresh experimental work, the festival presents some of the best films of the year so far.
Shai Heredia is a filmmaker, a curator, and the founder of Experimenta, the international festival for experimental cinema in India. Her programs and award-winning films have been exhibited worldwide, and she is on the curatorial team of the Berlinale Forum...
May 27, 2026 — Is it possible to look without trying to grasp the object of one’s gaze? Traditional ethnographic documentaries, much like the written ethnographies that preceded them, have attempted to explain a given culture to those who don’t belong to it, assuming...
On the Channel
Apr 16, 2026 — This month, take a peek at movie history through the prism of the ’80s: our collection of the decade’s best remakes and the originals that inspired them reveals an era of wild reinventions and sly revisionism.
The Daily
Aug 8, 2025 — This week: Edward Yang, Kiyoshi Kurosawa, and alternative lists of the best films of the twenty-first century.
The Daily
May 30, 2025 — The week wraps with an overlooked gem starring Jamie Lee Curtis, a new issue of Cineaste, and conversations with Lisa Lu and Takashi Miike.
Essays
Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...
Features
Mar 3, 2020 — American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...