The Criterion Collection
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
The Daily
Jul 2, 2020 — New issues of photogénie, Comparative Cinema, and SCMS+ take on an array of raging crises.
On the Channel
Jun 29, 2020 — Channel Calendars This July, the Criterion Channel celebrates unconventional artists who march to the beat of their own drum, with spotlights on indie iconoclast Miranda July, cutting-edge composer Ryuichi Sakamoto, downtown poet Sara Driver, lyrical documentarians Bill and Turner Ross, and formally...
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...
Essays
May 12, 2020 — In the early 1950s, director John Sturges, then under contract at MGM, read a condensed version of Paul Brickhill’s memoir The Great Escape, which details the mass escape of downed fighter pilots from the German prisoner-of-war camp Stalag Luft III...
On the Channel
Apr 30, 2020 — Check out what’s in store next month on our streaming service!
Jan 16, 2020 — Cannes and Venice select jury presidents, and the Berlinale will present new work by Damien Chazelle, Athina Rachel Tsangari, and more.
The Daily
Jan 9, 2020 — MoMA presents an eclectic selection of new restorations and discoveries from around the world.
Dec 10, 2019 — Wim Wenders has often referred to his Until the End of the World (1991) as the “ultimate road movie,” and even he may not realize how accurate that description has turned out to be. It certainly was, and remains, the...
The Daily
Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.