The Criterion Collection
Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.
Features
Sep 17, 2017 — Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.
On the Channel
Jul 9, 2017 — A veteran of Japan’s legendary Shochiku studios, the versatile genre auteur Yoshitaro Nomura made his mark with a string of impeccably constructed thrillers. Five of his best are now available to stream on the Criterion Channel on FilmStruck.
Features
Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Essays
Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.
Essays
Apr 25, 2011 — Brian De Palma brought hip, freewheeling funkiness to the American film renaissance of the late 1960s and early 1970s. Wised-up, cinema-savvy audiences across the country knew to seek out his movies for their scruffy wit, showmanship, and aesthetic innovation, not...
Essays
Apr 27, 2009 — Stephen Frears’s gangland drama subverts its genre by removing its villains to an alternate mythic universe, that of the western, as its protagonists traverse the roads that snake through Spain’s arid hills and plains.
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Oct 6, 2008 — Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.