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All Three of Us

Aug 7, 2014 Performances Today, the idea that comedian-actor-writer Lily Tomlin possesses dramatic versatility is so received that one might not realize how unexpected it was for audiences to see her in a serious role in Robert Altman’s Nashville in 1975. At that...

Early Summer

Essays

Jul 19, 2004 In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.

Apr 19, 1994 Rivaled only by Fritz Lang and G. W. Pabst as Germany’s greatest director of the silent age, Friedrich Wilhelm Murnau was a tireless formal innovator exhilaratingly difficult to pin down. If his 1922 horror epic Nosferatu represented an apex of...

Apr 22, 2024 Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

Dec 6, 2022 Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

Feb 28, 2018 With the Oscars coming up this weekend, we gathered some highlights from an in-depth conversation with five of this year’s most-lauded directors.

Dec 20, 2017 In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.

Nov 18, 2015 On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.

Sep 8, 2015 Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.

Nov 2, 2009 The following, written in 1986, is from the first treatment for Wings of Desire. And we, spectators always, everywhere,looking at, never out of, everything!—Rilke, “The Eighth Elegy” At first it’s not possible to describe anything beyond a wish or a...

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