Jun 11, 2024 A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

Look at the Truth

The Daily

Jun 7, 2024 Standouts this week include conversations with Bridgett M. Davis and Nan Goldin and essays on Nobuhiko Obayashi and Paul Schrader.

May 21, 2024 The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.

May 13, 2024 Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

Apr 8, 2024 ND/NF introduces New Yorkers to two family dramas, a Bulgarian thriller, and a Russian road movie.

Mar 25, 2024 What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

Mar 21, 2024 Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).

Jan 23, 2024 In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.

January Books

The Daily

Jan 17, 2024 Steven Soderbergh contemplates writing his first novel, while Keanu Reeves already has; plus notes on Barbara Stanwyck, noir, and more.

Jan 3, 2024 The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .

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