The Criterion Collection
Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.
The Daily
Oct 26, 2021 — In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.
The Daily
Oct 20, 2021 — The range this month stretches from the silent era to this weekend’s launch of The Liberated Film Club.
Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.
Essays
Sep 28, 2021 — The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.
On the Channel
Aug 30, 2021 — Next month, we’re headed to the Big Apple with a century-spanning survey of New York on-screen.
Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...
May 18, 2021 — The 1892 Chinese novel The Sing-Song Girls of Shanghai opens with a prologue in which the author, Han Ziyun, writes from his own perspective, providing a gateway into the book by describing a dream he has had. Referring to himself...
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
Apr 9, 2021 — Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...