The Criterion Collection
Sep 28, 2022 — Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
The Daily
Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.
The Daily
Sep 14, 2022 — Always innovating, Godard was one of the most vital and influential figures in the history of cinema.
Features
Sep 9, 2022 — James Wong Howe was a fighter, and he learned how to be one over the course of a turbulent upbringing. Born Wong Tung Jim in 1899, in the Chinese province of Guangdong, the man who would become one of the...
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.
Production Notes
Aug 25, 2022 — While working on our edition of Martin Scorsese’s 1980 masterpiece, producer Abbey Lustgarten found out how the director achieved some of the movie’s most evocative visual and sonic effects.
Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.
Essays
Aug 18, 2022 — With an obsessive attention to detail and tiny gestures, Ronald Bronstein’s debut feature film turns the tale of one neurotic Brooklyn man into a furious work of personal cinema.
The Daily
Aug 2, 2022 — The festival will launch the first complete retrospective, which will then travel to Paris.