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Viyaah Kartaare Da

Jul 13, 2021 One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jul 9, 2021 A raucous, fast-talking diva, the actor had a remarkable ability to convey both glamour and silliness, a gift that made her the queen of screwball comedy before her untimely death in 1942.

Jul 6, 2021 Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.

Jun 28, 2021 Next month brings a twenty-seven-film spotlight on the neonoir thrillers of the post-studio-system era, a survey of art-house animation from around the world, and more.

Jun 25, 2021 1. Visions of Eight (1973) was the brainchild of producer David L. Wolper, whose film The Hellstrom Chronicle won the Academy Award for best documentary in 1972. Other notable credits of his include Willy Wonka & the Chocolate Factory (1971)...

Jun 22, 2021 The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.

May 26, 2021 Channel Calendars Next month, the Criterion Channel celebrates Pride Month with a host of extraordinary queer-themed films, including a new installment of our Queersighted series focusing on taboo-breaking artists, a trio of outré underground classics from John Waters, and a restrospective...

May 25, 2021 In Edmund Goulding’s gritty cult classic, Tyrone Power casts off his matinee-idol image to play a conniving carnival barker on the flipside of the American dream.

May 11, 2021 When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...

May 7, 2021 The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

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