The Criterion Collection
Short Takes
May 27, 2017 — I’m capping off my weeklong look at Cannes festivals past by revisiting the 2015 winner, Dheepan. Director Jacques Audiard accepted the Palme d’Or for this devastating portrait of the refugee crisis in Europe and took the opportunity to shout out...
Short Takes
May 24, 2017 — Cannes kicked off the 1980s with a Palme d’Or win for a giant of Japanese cinema entering the final stages of his career. Akira Kurosawa’s Kagemusha (the title of which literally translates as “shadow warrior”) follows a small-time thief who...
Production Notes
Mar 21, 2016 — 1. This week, we’re proud to release our long-awaited 4K restoration of Edward Yang’s 1991 masterpiece A Brighter Summer Day. Long unavailable on home video in the United States, this incomparable work of Taiwanese cinema is now out on Blu-ray and DVD,...
Sneak Peeks
Mar 9, 2016 — As late, beloved French auteur Jacques Rivette came of age in the early 1950s, a thriving film culture in Paris was developing around the journal Cahiers du cinéma, for which Rivette wrote (and was later editor in chief). Rivette soon...
Short Takes
Jan 20, 2016 — Earlier this month, we lost Vilmos Zsigmond, the venerated Hungarian cinematographer. Not only was he one of the greatest directors of photography in the world—known for his influential work with Robert Altman, Steven Spielberg, and Brian De Palma, among others—Zsigmond...
Short Takes
Feb 20, 2015 — In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.
Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.
Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.
Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...