The Criterion Collection
Essays
May 10, 2011 — Something Wild asks the eternal question “What makes us happy?” But the answer it proposes is far from easily arrived at. It’s a boy meets girl story, certainly, but one that goes much deeper with that narrative than most films...
Mar 21, 2011 — Living Room The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, imprisoned in their domestic and professional circumstances by the status...
Short Takes
Aug 20, 2010 — As we’ve mentioned, Jim Jarmusch will be a guest curator at this year’s All Tomorrow’s Parties, the independent music festival that takes place in Monticello, New York, over Labor Day weekend, September 3 through 5. It’s a festival that is...
Essays
Sep 15, 2008 — Max Ophuls’s 1952 comedy celebrates existence by presenting a world full of unresolvable contradictions.
Jul 9, 2007 — This unforgettable drama about damaged adolescents combines Jean Cocteau’s penchant for mythic poetry and Jean-Pierre Melville's knack for crafting intricate schemes.
Essays
Jan 11, 1999 — It was quite a surprise to learn that David Lean had not read Charles Dickens’ Great Expectations before he embarked on his film version in 1945. The closeness of the adaptation, the understanding of the characters, make one swear it...
Nov 17, 1986 — The best of all the Spencer Tracy/Katharine Hepburn comedies, Adam’s Rib is as fresh and topical today as it was in 1949 when it was first released. Written by Ruth Gordon and Garson Kanin and directed by George Cukor, this...
In Theaters
Sep 20, 2018 — Travel back to the height of Beatlemania and the swinging sixties with Richard Lester’s infectious rock-movie classic A Hard Day’s Night, screening this weekend at the American Cinematheque.
The Daily
Aug 27, 2018 — Theater and movie audiences laughed at his one-liners throughout the 1960s and ’70s.
Dec 29, 2008 — If I had not seen The Lady Vanishes at the age of seven, I might never have become a film critic. I was the fifth child of parents well into middle age: clearly an “accident,” as I was ten-years-plus younger...