The Criterion Collection
Apr 22, 2020 — Deep Dives The Forest for the Trees, by German filmmaker Maren Ade, is one of the deepest depictions of loneliness on-screen. After serving as a television producer and shooting two shorts, Ade made this first feature, based on her own...
The Daily
Apr 17, 2020 — Tsai Ming-liang, Charlie Chaplin, Wim Wenders, and Albert Serra are just some of the names in the news this week.
Apr 16, 2020 — Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...
The Daily
Apr 14, 2020 — The late filmmaker admired by Jonas Mekas, Apichatpong Weerasethakul, and George Lucas cofounded Canyon Cinema and the San Francisco Cinematheque.
The Daily
Apr 9, 2020 — The American Cinematheque premieres a delightful five-minute film that Varda made in 2008.
Apr 8, 2020 — Plus Godard on Instagram, Almodóvar from Madrid, and John Sayles on his favorite movies.
Features
Mar 26, 2020 — Deep Dives BOOM! Mahler (1974) begins auspiciously and iconoclastically, as befits its director, with a peaceful lakeside scene shattered by an abrupt conflagration. The combusting hut echoes Kiss Me Deadly and anticipates The Sacrifice and Lost Highway (Lynch: “I got...
Mar 24, 2020 — How do you talk about Leave Her to Heaven without talking about Gene Tierney’s face? You can’t. Because its planes and curves, its cunning expressions and its tantalizing opacity, are such a central piece of the movie itself. A series...
The Daily
Mar 23, 2020 — The new issue features interviews with Tsai Ming-liang and Heinz Emigholz; plus the latest on the crisis.
The Daily
Mar 20, 2020 — Also this week: Filmmaker and filmmakers make their work freely accessible, an appreciation of Barbara Hammer, and an interview with Jonathan Rosenbaum.