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Jun 3, 2002 — Ronald Neame’s character study examines a talented, eccentric artist, who is also difficult, conniving, uncouth, and thoroughly disreputable.

Jun 3, 2002 — By any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it...

Apr 29, 2002 — Though set in wartime Soviet Union, Grigori Chukhrai’s drama walks away from the genre of war film, creating a portrait of life and problems behind the lines of battle.

Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.

Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.

Feb 11, 2002 — Miloš Forman’s film is an amazing balancing act of subtle social satire and adolescent romantic longing, of blank despair and irrepressible hope.

Jan 21, 2002 — A fresco conceived on a majestic scale, Marcel Carné’s masterpiece sweeps its audience back to the 1820s, painting the detail of a world obsessed with both theater and crime.

Nov 19, 2001 — Alfred Hitchcock’s first film in Hollywood is his earliest definitive statement on male domination and female subjugation.

Oct 15, 2001 — Alfred Hitchcock’s classic thriller features two of Hollywood’s greatest stars, rendering their characters' grand romance in all its passion and perversity.

Oct 15, 2001 — The French director’s crime film conveys both the flow and the form of the prison experience.