The Criterion Collection
Jan 9, 2017 — Since its inception more than a half-century ago, the National Society of Film Critics has maintained its reputation for championing idiosyncratic and independent voices during the commercially driven awards season, with past best picture awards going to films like Michelangelo...
On the Channel
Jan 1, 2017 — The Korda brothers’ voluptuous fantasy Jungle Book—directed by Zoltán, produced by Alexander, and art-directed by Vincent—captures that mood-swinging moment in late childhood when the adult world seems to be unbearably corrupt and nothing could be more exhilarating than escaping to...
Features
Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.
Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.
On the Channel
Dec 12, 2016 — Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...
Dec 6, 2016 — This elegiac meditation on impermanence showcases Laurie Anderson’s playfully experimental approach to sound and image.
Nov 28, 2016 — PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...
Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.
Sneak Peeks
Nov 23, 2016 — After years of cultivating his immortal on-screen persona as a handsome, brooding outsider, Marlon Brando expanded his creative ambitions when he both directed and starred in One-Eyed Jacks, his first and only time behind the camera. Boasting VistaVision cinematography that...
On the Channel
Nov 22, 2016 — I don’t do psychoanalysis, I do cinema. —Athina Rachel TsangariThis week, over on the Criterion Channel, we’re kicking off Meet the Filmmakers, an exclusive new series of encounters with directors we’re excited to champion. For each program, we’ve enlisted a...