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Mar 29, 2018 — A daring portrayal of race, class, and sexuality, Tony Richardson’s A Taste of Honey plays at the British Film Institute in a monthlong tribute to Woodfall Films, one of the pioneers of British social realism.

Mar 28, 2018 — “Forty-seven years young,” writes the staff at Slant, “New Directors/New Films—programmed by the Film Society of Lincoln Center and the Museum of Modern Art—is an eclectic, geographically far-flung survey of bourgeoning filmmaking talent, and more than ever, this year’s lineup...

Mar 27, 2018 — At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.

Mar 25, 2018 — Since our last roundup on new issues, two more publications have each put out another. The new March 2018 issue of Film Criticism opens with Julia Vassilieva’s essay on Andrey Zvyagintsev’s Leviathan (2014; image above). “While earlier discussions of the...

Mar 23, 2018 — New York. The Film Society of Lincoln Center has rolled out the lineup for the fifth edition of Art of the Real, “an essential showcase for the most vital and innovative voices in nonfiction and hybrid filmmaking.” The series will...

Mar 23, 2018 — In anticipation of his debut on the Criterion Channel, Connor Jessup spoke with us about his experiences as an emerging filmmaker and his collaboration and friendship with Thai maverick Apichatpong Weerasethakul.

Mar 20, 2018 — The careers of three iconic German artists—Bertolt Brecht, Rainer Werner Fassbinder, and Volker Schlöndorff—converged in this unflinching portrait of destructive genius.

Mar 14, 2018 — From today through March 30, the Quad Cinema in New York is presenting Pacino’s Way, a decades-spanning retrospective that will build up to screenings of two films Pacino’s directed, Wilde Salomé (2011) and Salomé (2013). “From 1971 to 1976,” writes...

Mar 14, 2018 — New York’s Film Forum presents the theatrical premiere of a rare, eight-hour masterwork from Rainer Werner Fassbinder.

Mar 14, 2018 — Bette Davis struck a blow against expectations of pliant female loveliness and grace with her role as a no-nonsense teacher in The Corn Is Green.