Aug 13, 2016 — On the occasion of what would have been the Master of Suspense’s 117th birthday, we’re looking back on a selection of essays and videos that explore his inexhaustible oeuvre.

Aug 7, 2016 — Following an arduous restoration effort that involved broken scanners, missing reels, and the complicated transfer of materials between Taipei, Bologna, and New York, Edward Yang’s 1991 epic film is finally available in a high-quality viewing format.

Aug 1, 2016 — Back in January, veteran actor Keith Baxter stopped by the Criterion offices for lunch and regaled us with memories of his experience working with Orson Welles.

Jul 30, 2016 — Art director Eric Skillman describes working with Jack on the design for our release of Stanley Kramer’s It’s a Mad, Mad, Mad, Mad World as one of the highlights of his career.

Jul 27, 2016 — Since his debut in the 1970s, Terrence Malick has remained one of American cinema’s most poetic voices, bringing a lyrical touch and philosophical reflectiveness to a wide range of stories and settings. In his 2005 historical drama The New World,...

Jul 25, 2016 — In his masterful reimagining of the story of John Smith and Pocahontas, Terrence Malick meditates on the nature of beauty and America’s path from innocence to experience.

Jul 22, 2016 — Two pieces, written by director King Hu, that were originally published as part of a 1975 press kit for the Cannes Film Festival.

Jul 21, 2016 — Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.

Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.

Jul 19, 2016 — A cornerstone of the martial arts film genre, King Hu’s magisterial A Touch of Zen was the first Chinese movie to receive a prize at the Cannes Film Festival. Thanks to a pristine new restoration, this sprawling portrait of Ming...

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