Two in One

Jul 15, 2022 — This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.

May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

Apr 25, 2022 — The monthly program will feature introductions, interviews, and more supplements.

Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.

Dec 15, 2021 — Twenty-five films are selected for their “enduring importance to American culture.”

Oct 19, 2021 — The Academy Award–winning director remembers a formative and eye-opening encounter with Lynne Ramsay’s feature debut.

Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.

Aug 25, 2021 — Fifteen features and eight programs of short films are set for the festival’s showcase of aesthetically adventurous work.