Oct 7, 2011 For Janus Films’ new print of Jean-Luc Godard’s Weekend, which starts showing today, designer Steve Chow created an eye-catching poster that vividly captures that New Wave battering ram’s apocalyptic, sideways vision. This is the third Godard design that Chow has...

Oct 6, 2011 When I was living in Haight-Ashbury in the second half of the 1970s, you’d still see Robert Crumb drawing in some coffeehouse now and again. I don’t remember ever having a conversation with him, as I probably wouldn’t have wanted...

Oct 4, 2011 The spectacle of joyless lubricity and dehumanizing cruelty and carnage visualized by Pier Paolo Pasolini could not be further from the dry, dense, and circular arguments to be found in the printed pages of his bibliographic sources.

Oct 4, 2011 Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.

Oct 4, 2011 Pier Paolo Pasolini’s landmark film intermingles the sacred and profane, associating libertines with holy music, the avant-garde of the thirties, and neoclassical and biblical references.

Oct 4, 2011 No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.

Oct 4, 2011 Director Catherine Breillat writes about the primal pleasures of watching Pier Paolo Pasolini’s notorious film.

Oct 4, 2011 Vilified, censored, banned, denied commercial distribution, and long unavailable, Pier Paolo Pasolini’s infamous film lives more in reputation and rumor than in memory.

Oct 4, 2011 Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.

Sep 28, 2011 As a film student at the University of Southern California, new to LA and without connections, Patricia Resnick had a habit of following film trucks, just to see where they’d lead. One took her to Westwood and the set of...

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