The Ear

Aug 1, 2007 — Two towering figures of cinema died this week, and while we can all be grateful that they lived such long and fruitful lives, their departures were nevertheless profoundly saddening, and shocking in their coincidence. Look to your right at our...

Apr 23, 2001 — Of all the actors to try their hand at producing, Kirk Douglas may have been the most audacious. Spartacus illustrates his taste for unorthodox material, and the story behind the making of the movie reveals a great deal about Douglas’...

Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...

Dec 26, 2017 — The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

Sep 1, 1992 — The evolution of Jason and the Argonauts began in the late 1950s, after the initial success of 20 Million Miles to Earth. Harryhausen and his producer, Charles Schneer, decided to get away from doing “monster-on-the-loose” stories and try something more...

Sep 7, 2016 — Jenni Olson is an acclaimed filmmaker, writer, archivist, LGBT film historian, and online pioneer. Since premiering at Sundance in 2015, her innovative feature-length essay film The Royal Road, which reflects on an array of topics ranging from the Spanish colonization...

Ramona Wray is Professor of Shakespeare and Early Modern Literature at Queen’s University Belfast and the coauthor of Great Shakespeareans: Welles, Kurosawa, Kozintsev, Zeffirelli, published as part of the Arden Shakespeare series.

Nov 4, 2018 — The actor-director talks about the college film course that introduced him to some of the giants of world cinema, including Robert Bresson and Yasujiro Ozu.

Apr 6, 2026 — New York’s Film Forum screens thirteen features by the master of urbane comedy.

Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).