J.

Apr 13, 2020 — The director of House, dozens of experimental films, and thousands of commercials returned again and again to the devastation of the Second World War.

Apr 10, 2020 — Songbook Edward Yang’s A Brighter Summer Day is the War and Peace of Taiwanese juvenile-delinquent movies. It is also part of a tradition of films that use the process of a character slowly learning a single song as a narrative-building...

Apr 10, 2020 — This week we’re reading Peter Wollen on Performance, Thomas Elsaesser on puzzle movies, David Bordwell on how movies work, and more.

Apr 9, 2020 — The American Cinematheque premieres a delightful five-minute film that Varda made in 2008.

Apr 7, 2020 — How a festival responds to this crisis says a lot about how it perceives its role.

Apr 3, 2020 — Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...

Apr 3, 2020 — Conversations with Frederick Wiseman and Quentin Tarantino and rediscoveries of forgotten critics and an Arab filmmaker are among this week’s highlights.

Apr 1, 2020 — Are Snakes Necessary?, an erotically charged tale of revenge and political intrigue, naturally features a nod to Hitchcock.

Apr 1, 2020 — Cultural institutions around the country are cutting back, but it’s the fear of losing Film Comment that has set off alarms among cinephiles.

Mar 31, 2020 — The Prince of Tides (1991) is the high-water mark in a long and distinguished career in cinema. From the phenomenally successful 1968 musical Funny Girl through her meticulous 1983 rendering of Yentl, Barbra Streisand had earned her place among the most respected artists in...