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The Ear

Oct 15, 2015 Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.

Horror, Dreyer-Style

In Theaters

Oct 30, 2014 Repertory PicksNovember 1 may be All Saints’ Day, but at the AFI Silver Theatre in Silver Spring, Maryland, the demons will still be coming out to play. That’s the day the theater is showing Carl Theodor Dreyer’s poetic horror masterpiece...

Aug 7, 2014 Repertory PicksOn August 13, the Cleveland Museum of Art will screen part one of Raymond Bernard’s monumental 1934 film Les misérables, probably the best big-screen adaptation of Victor Hugo’s novel, and the only one that gave it a running time...

Jun 25, 2014 Hearts and Minds is the classic antiwar documentary film of the Vietnam era. It was released in 1974, one year after the United States withdrew its military forces from Vietnam and a year before North Vietnamese and National Liberation Front...

Dec 30, 2013 Charlie Chaplin’s comedy has a secret ingredient that has bound us to him forever.

Feb 22, 2012 When it comes to depicting actual people’s jobs, the truism goes, Hollywood gets everything wrong with stunning regularity. The rare exception is Otto Preminger’s Anatomy of a Murder (1959), widely considered among the finest trial films ever made, and maybe...

Dec 13, 2011 Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...

May 17, 2011 “There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director Masahiro Shinoda would later remember of his 1964 squid-ink noir Pale Flower, made in the days when his career as a filmmaker and founding figure of...

Apr 12, 2011 After Army of Shadows, Melville and I stayed in touch . . . One day, he announced: “I’m going to make a new film. You’re not composing the score for it; I’ve contacted Michel Legrand . . .” Of course, I was disappointed....

Jun 17, 2010 How do you make a comedy about something as serious as the Nazi threat of world domination—particularly as it is happening? Perhaps there’s something in the English character that allows them to see humor in disaster. Some sort of survival...

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