Nov 18, 2016 Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...

Shades of Gray

On the Channel

Nov 18, 2016 Tonight we salute the unique gifts of actor and monologue artist Spalding Gray, whose solo performance pieces inspired soaring flights of cinema like Jonathan Demme’s Swimming to Cambodia and the two Steven Soderbergh films that make up our double bill....

Nov 15, 2016 Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Nov 14, 2016 Aaron Brookner’s critically acclaimed new documentary Uncle Howard, which features previously unseen footage from Howard Brookner’s 1983 Burroughs: The Movie, opens theatrically at New York’s IFC Center.

Nov 14, 2016 For his first foray into romantic comedy, Paul Thomas Anderson worked closely with Jon Brion on a score that combines melodic orchestration with startling dissonance.

Nov 11, 2016 The DailyLegendary French cinematographer Raoul Coutard, who created some of the most indelible images in film history, has passed away at the age of ninety-two. The BFI pays tribute to him by republishing an article from the winter 1965–1966 issue...

Nov 8, 2016 This adaptation of one of the most influential series in manga history is a delirious mix of breathtaking swordplay and pop vulgarity.

Murderers Among Us

On the Channel

Nov 3, 2016 Our first Friday Night Double Feature on the Criterion Channel pairs two chilling serial-killer films: Fritz Lang’s M and Jonathan Demme’s The Silence of the Lambs.

Oct 28, 2016 Did You See This? Just in time for Halloween, the travel blog Atlas Obscura has put together a map of creepy movie locations across America, including the Pennsylvania theater featured in The Blob and the Washington café that serves as...

Oct 26, 2016 The tropes of light comedy give way to a Kafkaesque nightmare in this incendiary critique of moral rot in Franco-era Spain.

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