Pulp Fiction

Essays

Jun 10, 1996 Ever since Quentin Tarantino’s Pulp Fiction created a sensation at [this year’s] Cannes Film Festival, where it won top honors (the Palme d’Or), it has been swathed in the wildest hyperbole. In fact, it has sparked an excitement bound to...

Odd Man Out

Essays

Dec 4, 1995 While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.

Nov 14, 1995 Tamura (Eiji Funakoshi), the hero of Kon Ichikawa’s drama, may be the loneliest man in the history of the movies—lonelier than the spiritual pilgrims of Bergman, Bresson, and Dreyer.

Sep 25, 1995 Noel Coward and David Lean’s drama is the Citizen Kane of war movies, as well as the precursor to Lean’s even more celebrated works.

Aug 28, 1995 Three Cases of Murder is of most interest to American audiences for Orson Welles’s flamboyant and bravura performance as Lord Mountdrago. However, it’s equally important as a showcase for Wendy Toye, one of Britain’s first female directors, and star Alan...

Othello

Essays

Jun 27, 1995 Orson Welles’s Shakespeare adaptation was his first first fully independent feature, made without the resources of Hollywood.

Halloween

Essays

Oct 18, 1994 It’s useless to take a lofty view on an instant schlock horror classic, but there are reasons why John Carpenter’s Halloween, alone in the last decade, stands with George A. Romero’s Night of the Living Dead and, before that, with...

Cat People

Essays

Oct 18, 1994 Val Lewton’s cinematic diamond-in-the-rough has been recognized for decades as a definitive chiller, but it was conceived as a title, with no story or notion in mind, and as a way of generating cash for RKO.

Jul 26, 1993 But for the recalcitrance of RKO, Evergreen could have been the finest of Fred Astaire’s movies. Instead, it was never an Astaire film, but “merely” the best musical ever made in England, and the finest film of the legendary Jessie...

Jan 5, 1993 All right, I’ll just say it. Monty Python and the Holy Grail is the most sublimely irreverent, most jaw-droppingly hysterical movie of the last twenty years. How many films, after all, have Knights who say “Ni!,” filth-eating peasants, and 160...

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