A New Year

May 18, 2016 — In 1966, Senegalese novelist-turned-director Ousmane Sembène achieved international acclaim with his debut feature-length film, Black Girl. His urgent and intimate portrait of a young woman who leaves behind the struggles of her native Dakar for an equally challenging life as...

Apr 22, 2016 — Writer Harold Schechter shares a list of five true-crime films that encapsulate the essence of fear—including collection favorites In Cold Blood, The Honeymoon Killers, and Badlands—in the Library of America’s biweekly Moviegoer column.

Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.

Jan 8, 2016 — In March of 1967, Bosley Crowther, then the film critic for the New York Times, wrote about Orson Welles’s Chimes at Midnight, penning what is now considered one of his most famously wrong-headed reviews.

Nov 18, 2015 — On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.

Oct 21, 2015 — A new book examines the distinct clothing worn in Andrei Tarkovsky’s films.

Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.

Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...

May 29, 2015 — A shocking chapter of Soviet Czechoslovakian history is dramatized in Costa-Gavras’s controversial follow-up to Z.

Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.