The Criterion Collection
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May 22, 2020 — This week’s round features the story behind John Cassavetes’s debut feature and conversations with Dan Sallitt and Jonathan Rosenbaum.
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May 19, 2020 — The range was remarkable, but the projects Piccoli selected and the directors he chose to work with are what make his body of work essential.
May 18, 2020 — It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...
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May 13, 2020 — Olivier Assayas, Sofia Coppola, and Paul Verhoeven have long-form serial narratives in the works.
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May 6, 2020 — What if the Hollywood of the 1940s were less racist and homophobic than the America of the 1940s?
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Apr 30, 2020 — Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.
Apr 28, 2020 — I first fell in love with Miranda July’s work with her strange, wild, poignant short stories; her stories led me to her novel and first two feature films, which I watch so often that they have over time become spiritual...
Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....
Apr 22, 2020 — Deep Dives The Forest for the Trees, by German filmmaker Maren Ade, is one of the deepest depictions of loneliness on-screen. After serving as a television producer and shooting two shorts, Ade made this first feature, based on her own...
The Daily
Apr 17, 2020 — Tsai Ming-liang, Charlie Chaplin, Wim Wenders, and Albert Serra are just some of the names in the news this week.