Feb 2, 2010 Dear Criterion collectors, Our three least favorite initials: OOP. Since we launched the Criterion Collection more than twenty-five years ago, we’ve endeavored to keep everything we’ve published in print. But despite our efforts to renew rights, we are losing a...

Jan 26, 2010 Today, most people’s knowledge of George Bernard Shaw doesn’t extend much further than his classic comedy Pygmalion. But the legendary playwright and theater critic (1856–1950) wrote more than sixty plays. In February, we at the Criterion Collection will do our part...

Jan 19, 2010 A Belgian in New York It was in the 1970s, the first decade of her career, that Belgian filmmaker Chantal Akerman created the works that would define her. Informed as much by her brushes with the experimental film scene in...

Why Che?

Essays

Jan 18, 2010 Steven Soderbergh’s Che depicts the two military campaigns that defined the rise and fall of Ernesto “Che” Guevara, hero of the Cuban Revolution, who became in death a global icon of militant leftism—and of inchoate adolescent rebellion. As the latter,...

Dec 15, 2009 Last Friday, Fumiko, Issa, and I went up to Rochester, New York, to the Eastman House. We have been talking to them about accessing their archive on a more regular basis, starting with the three von Sternberg films that are...

Dec 1, 2009 This nonfiction masterwork by David and Albert Maysles and Charlotte Zwerin is a terrifying snapshot of the sudden collapse of the sixties.

Dec 1, 2009 The deeply disturbing drama of this landmark documentary about the Rolling Stones sprang from the disturbing drama of the times.

Dec 1, 2009 Mick Jagger’s former assistant remembers the joy and chaos of touring with the Stones.

Dec 1, 2009 Running a taut ninety-one minutes, this documentary about the Rolling Stones is a masterpiece of restraint and understatement.

Nov 30, 2009 The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...

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